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"Miller projects all the confident insouciance of a pampered prima donna" "Caroline Miller’s warm soprano introduced a necessary emotional bite to the trio while supplying her easy top to widen the vocal range of the work." Caroline Bassett Miller as Velena-Sue, and Alison Davy as the widowed Dierdre, were strong, Miller especially adept at comedy . . " "But the show is almost stolen by Carli Miller, as Mary. Ms. Miller's voice is simply gorgeous--powerful and sweet--several steps above anyone else in the cast. And in the final "Of Thee I Sing" she looks remarkably like the old Columbia Pictures logo of Lady Liberty holding her torch aloft." "Caroline Miller . . . gave sonically solid performance on both nights and [her] hypnotic swaying of finger fringe was reminiscent of sea waves . . ." |
"Caroline Miller’s Bellabruna was marvelous. Her well-placed, dramatic voice featured just the amount of operatic vibrato and profundity that one would expect from this pompous and arrogant character." |
"Tania Mandzy as [...] Iolanthe, and Caroline Bassett Miller as Phyllis, the Ward in Chancery, were earnest, expressive and clear-voiced companions in [Strefphon's] hafling plight." |
"Caroline Miller singing the role of opera diva and philandering wife La Bellabruna, [...] strong midrange and plenty of drama." |
"The cast were uniformly excellent. Sperry, Ross and Miller had substantial music to sing and all three wrapped beautiful voices around the material." |